For the past six years, on Mondays and Tuesdays, you can find me at Magnolia Plantation and Gardens in Charleston, South Carolina giving tours of the four restored slave cabins at the site. Most tour participants are White and some express surprise when I express to them that the From Slavery to Freedom Tour that they are on, is sold to visitors the least. Others on the tour understand comfort zones and they know exactly why this tour is chosen the least. And then there are those rare occasions when some express that the From Slavery to Freedom Tour was their first choice. Even rarer and more pleasing to me is those who express that the From Slavery to Freedom Tour was their only choice.

Magnolia Plantation

Eight years ago, I slept alone in one of the cabins at Magnolia to begin the Slave Dwelling Project. I woke up on Mother’s Day of 2010 and thought about all the enslaved moms in similar spaces who had to forfeit those children to the peculiar institution of chattel slavery. Little did I know in 2010 that chasing the footprints of slavery that existed in the United States was going to be a vast endeavor and that I will still be doing to this day. My intent was to do this one year and keep the project in my home state of South Carolina.

Fast forward to 2018, and now I’ve slept in slave dwellings in Alabama, Arkansas, Connecticut, Delaware, Florida, Georgia, Kansas, Louisiana, Maryland, Massachusetts, Mississippi, Missouri, New Jersey, New York, North Carolina, Pennsylvania, Rhode Island, South Carolina, Tennessee, Texas, Virginia, Wisconsin and Washington, DC. The biggest difference from 2010 to now is that I very rarely sleep in these slave dwellings alone anymore. Hundreds have joined us in these sleepovers as we spread the message of the necessity to preserve, interpret, maintain and sustain the dwellings of which the enslaved Ancestors occupied.

Magnolia Plantation

With all of the travel involved in carrying out the mission of the Slave Dwelling Project, it is at Magnolia Plantation and Gardens that members of the Slave Dwelling Project have slept in Slave Cabins the most. It has become the unofficial headquarters of the Project. We have also conducted our living history program at Magnolia Plantation the most. The living history program is titled Inalienable Rights: Living History Through the Eyes of the Enslaved. During this program, living historians engage in a meaningful conversation with the participants about slavery and the legacy it left on this nation before sleeping in the slave dwellings. The next day, we don our period uniforms and have cooking and blacksmithing demonstrations. Additionally, we conduct history lectures and storytelling. Hundreds of visitors at Magnolia have benefitted from this educational program.

Magnolia Plantation

On October 5 – 6, 2018, the Slave Dwelling Project conducted its living history program at Magnolia for the eight times. Many signed up for the conversation and sleepover and many showed up which was unusual. A group known as the Gatherers, college students and their professor from University of South Carolina Aiken; staff from Telfair Museum in Savannah, GA, living historians and a coworker from Magnolia were all a part of the mix.

Magnolia Plantation

The best parts of the sleepovers now are the conversations before the sleep and this one did not disappoint. This was the first program we had in Charleston, after the Charleston City Council voted 7 to 5 to apologize for slavery, so a lot of the conversation centered around that controversial decision.  Also discussed was White supremacy, White privilege, genealogy, genetics, Confederate monuments, weddings at plantations and Black Lives Matter.

Magnolia Plantation

The Saturday living history element of the program was business as usual, however, I encountered one African American gentleman who was adamant about African Americans not needing to pay to visit plantations. His reason was the one I hear often and borders on paying reparations to the descendants of those who were enslaved. His argument is that our enslaved Ancestors were exploited by the system of slavery and plantations were ground zero for that exploitation, therefore the descendants of the enslaved should not have to pay to visit plantations. I can not argue with his reasoning, but I must support the need for stewards of plantations to do as they wish on their properties in conducting events that help to sustain them.

Magnolia Plantation

I also encountered an African American female who wanted to know if there were good slave owners. She wanted me to say yes, but I could not go there with her. It surprised me because that is an inquiry that I usually get from White folks.

I only found out later that the African American female was actress Debbie Morgan. I can only assume her question about good slave owners was based on her research for a character in a movie. If she was not researching a character, then she is disillusioned or the victim of sugarcoated history.

I define a good slave owner as one who would buy his or her loved one and do not have the authority to free them because freeing them would mean that they would have to be free somewhere else.

Thank you, Magnolia Plantation and Gardens, for having confidence in the Slave Dwelling Project to bring quality programs to your audience. We look forward to 2019 and the ability to build on what we have started.

Holly Lynton

Magnolia Plantation

This October, I participated in the Slave Dwelling Project’s overnight at Magnolia Plantation. It was my first time attending, and it is an experience that sinks in slowly with more thoughts revealing themselves days and weeks later. The conversation around the campfire allowed for people to ask hard questions, and questions that they might otherwise be fearful to ask. New perspectives were voiced as we tried to understand the history of the enslaved and the repercussions it has had, beyond the ones we already know about. And we tried to discuss ways to heal, know each other, contemporary concerns, and at the end, we left bonded to human beings we had never met before. It’s a powerful experience that can hardly be described but must be experienced. The next day, I attended some of the living history events with Jerome Bias leading the cooking, and several people giving powerful spoken word presentations, including Sarah Daise and Dontavius Williams / Chronicles of Adam. He presented me with two blessing dolls representing courage and strength, urging me to carry forward and do my work. All of the presenters that day were amazing, including the blacksmith Gilbert Walker Jr. It takes a few people at a time to turn the tides, and the Slave Dwelling Project is a group of people who do just that.

Dr. Heather Peterson Associate Professor of History at USC Aiken

Magnolia Plantation

I think I can safely say that my students will probably remember their experience with the Slave Dwelling Project their entire lives. It was hot when we arrived and the Spanish moss and the old cabins were almost surreal. After a very nice dinner at a local Crab shack, we all settled around the firepit and loaded up on bug spray. We were a very interesting and diverse group including a wonderful contingent of ladies from Myrtle Beach who called themselves “the gatherers,” myself and my colleague Kristina Ramstad, a biologist who loves camping in any conditions, our students (one of whom is from Mexico and another from India), a young couple who do museum work in GA, and then all the lovely people who work with the Slave Dwelling Project. The conversation was both honest and deep, and my only regret is that I probably participated too much instead of listening. Nevertheless, I felt as though we all did gather together in a meeting of minds and hearts and I stayed up much later than I thought I would!

Magnolia Plantation

The next morning, we made coffee on a cookstove and ate muffins and watched the activity going on all around as the members of the production assembled their equipment and the living history displays. Around the hearth the chef and his assistants were cutting and rendering fat in a cast iron pot hanging over the fire, the Blacksmith prepared his bellows and fire and we cleaned out the cabins and got out of the way until the program started.

Magnolia Plantation

The oral histories presented on a range of subjects, from the Gullah-Geechie with Sara Daise to a history as one act of Harriet Tubman by Carolyn Evens. We had met Carolyn the night before and it was really magical to see her transformed in the Tubman. The highlight for me was Dontavius Williams’ “Chronicles of Adam,” a story that captured one of the most horrific aspects of the institution of slavery. Dontavius is a tremendous storyteller and must be a marvelous teacher. We certainly learned a lot and left feeling like maybe the world was ok after all.

Thank you so much Joe and company for organizing such a wonderful experience, I feel so lucky to have shared it.

Ithzel Z. Contreras

Magnolia Plantation

I went to “The Slave Dwelling Project” in Charleston at the Magnolia Plantation on October 5th and 6th and I don’t regret it at all. I heard of it from my History Teacher Dr. Heather Peterson. I enjoyed visiting the Plantation and staying at the Slave Cabins. We had a campfire conversation in which everyone shared a little bit about themselves and how they found out about this. With this conversation, I got to know a little bit more about African American history, and I had the chance to hear different perspectives about this subject.

Magnolia Plantation

What I liked the most about this trip was experiencing the slave’s lifestyles. I liked how we had the chance to sleep in the cabins they used to sleep in. I also liked how the next morning we had the chance to hear a little bit more about how slaves used to live. We heard some stories and we saw some interpretations, some of these stories and interpretations were so good, sometimes you could feel like you were really listening to a slave telling his or her story.

I encourage everyone to live this experience because this was the best weekend I had. I encourage students to go and learn a little bit more about African American’s history.

 

Magnolia Plantation – No Ghosts Here, Right? Prinny Anderson

Magnolia Plantation

Joe McGill, the founder of the Slave Dwelling Project, will tell any who asks that he doesn’t believe in ghosts and he doesn’t look for them when he sleeps in slave dwellings. He discourages ghost-hunters.

Prinny Anderson

I don’t look for ghosts either when I spend the night in a slave dwelling, and I basically agree with Joe. But some sites and some conversations make it hard not to think about ghosts of one kind or another, and this October’s overnight at Magnolia Plantation brought haints to mind.

Magnolia plantation

Starting at the main gate, the old live oaks along the entrance allée are hung with Spanish moss. Its draped, irregular shapes that move with the slightest breeze trick your eyes at dusk. There, now. Didn’t you just see something flicker by? The third-growth woods beyond the allée are dense with hunched, misshapen trees, growing so close together it’s hard to see how anyone but a phantom could move across the landscape. There’s a dank loneliness to those swampy spots. Isn’t there something hiding in there? Look, right there.

As twilight deepens, strange, haunting cries come from the gloom. For some reason, the plantation’s peacocks are especially noisy in the evening but remain out of sight, scaring the unsuspecting for a moment. Those noises are all from peacocks, right?

Slave Cabins at Magnolia Plantation, Charleston, SC

At the conversation circle, the only light comes from the campfire. The usual outdoor lights have not come on. As the talk continues, people’s voices seem sometimes disembodied, voices out of the darkness. Our African American interpreters talk about the lives of enslaved people and the lives of African American men and boys today. They describe how often black people are treated as invisible, are unheard, were unheard. They describe the survival skill of making yourself small and quieting your voice then and now. It’s not always clear whether their stories are being told in the present tense or the past. It is hard not to think that they speak today for the people long gone but perhaps still here. But no ghosts, right?